mentre mi accingevo a silenziare la pubblicità ho visto la campagna sulla sicurezza stradale 2023 realizzata da Autostrade per l’Italia in collaborazione con la Polizia di Stato e, per la prima volta, con l'Alto Patronato del Presidente della Repubblica. "Non chiudere gli occhi. La sicurezza stradale riguarda anche te” il titolo che mira (o almeno dovrebbe )ad accrescere la consapevolezza in chi l’ascolta, superando l’indifferenza che spesso è la reazione di ognuno di noi di fronte al numero abnorme delle vittime su strada. Messaggio rivolto soprattutto ai più giovani, anche per questo si è scelto di affidare la direzione dello spot a Carmine Elia, regista italiano della serie di successo "Mare Fuori", mentre Giacomo Giorgio, uno dei volti più amati della stessa serie, interpreta uno dei protagonisti.
Cosa racconta lo spot. “Oltre 3.100 vittime su strada, in un anno, è un dato che non possiamo accettare. Eppure, cifre come questa sembrano quasi non fare più effetto. Non è una cosa normale. Perché, alla guida, c’è di mezzo la nostra vita e quella delle persone a noi care”. Questo il concept alla base della campagna. Analizzando i dati Istat sugli incidenti e confrontandoli coi trend dei social network, si percepisce un diverso e pericoloso approccio di fronte al pericolo e alla morte, soprattutto da parte delle nuove generazioni. La campagna estremizza un sentimento banale quanto doloroso, come l’indifferenza rispetto al preoccupante fenomeno. Nello spot si assiste a una scena familiare “normale”, gesti quotidiani: la cena pronta, un dialogo surreale tra madre e figlio, la notizia dell’imminenza dell’incidente mortale, la reazione altrettanto “normale”, in bilico tra assurdo, indifferenza e fatalismo.Ed è proprio l’assurdità dell’indifferenza che lo spot diretto da Carmine Elia vuol rappresentare al grande pubblico. Un linguaggio forte, senza l’utilizzo di immagini violente. Secondo me è fatta male perchè e poco invisiva ed non ( cosa che dovrebbe fare ) provoca turbamento, rabbia, un invito a riflettere. "La vera ricchezza delle persone -afferma il regista Carmine Elia- è il tempo, ma conquistare il tempo non significa correre. Significa guidare con prudenza e consapevolezza. La sicurezza sulle strade è importante perché la vita, ancor prima, è importante".Come uscirne allora o andando oltre il tabu della paura de'ofendere la sensibilità della gente ed essere diretti e crudi come avviene in europa sono questi i messaggi che la gente capisce meglio
oppure anche seza sangue creando negli utenti sensi di colpa come quest'altra
oppure quelle degli altri anni senza sanque ma un po' più incisive rispetto a questa del 2023 voi che ne pesante ?
Tra poco sarà l'11 settembre ed iniziarà il solito fiume di retorica patriottarda e filo americana acritica e come ben sapete voglio evitare di essere coinvolto e quindi scrivo il mio ensiero su tle fstto con anticipo come sempre .
Ma ora bado alle ciancie ecco il mio post
Nonostante siano passati 17 anni da tale fatto, benché ricordo cosi stessi facendo quel giorno e lo shock appena visto le immagini in diretta e il balbettare ne riferlo a mia madre appena rientrata da Olbia era andata a trovare mia nonna materna , non riesco e faccio fatica ancora oggi nel rivedere ( o vedere come in questo caso un video inedito ) le immagini o i filmche parlano d tale argomento , ad esprimere concettti non banali ed originali 😢😓🧠 cioè non copiati d'altri o nel riportare documenti come quello che trovate nel post tratte da https://www.tpi.it/foto/foto-inedite-11-settembre/ .
In meno di una settimana ha superato i quattro milioni di visualizzazioni il video ripreso l'11 settembre 2001 a New York da Mark LaGanga, all'epoca operatore della Cbs. Sono immagini, durano poco meno di mezz'ora, che riaccendono una ferita mai richiusa. Le ambulanze, il fumo, l'eroismo dei soccorritori e le grida della gente incredula: tutto riporta indietro a 17 anni fa, quando la storia degli Stati Uniti e del mondo cambiò per sempre.
Ora L'unico concetto che mi viene in mente è scontato per chi mi conosce e mi segue sia qui che sui social da 14 anni ( alcuni \ e di voi anche da prima quando ancora pivello scrivevo sui news groups o forum ) , è questo : sia che si tratti come credo di un auto attentato per creare il casus belied eliminare un regime come quello di boll laden non più sostenibile dopo acverlo sfruttato cpntro i sovietici in afganistan sia che si tratti d un attentato anzi fatto dai fondamentalisti mussulmani \ islamici sempre un atto vile, bastardo ed criminale e terroristico è . Che gli si è si nel primo che nel secondo rivoltato contro per le porcherie che ha fatto negli ultimi due secoli a gli altri
lo so che è inglese e farò fatikcare parecchio chi non lo parla o non lo capisce ma moltimiei seguiaci sono anche internazionali ( americani specialmente ) . comunque per chi non mastica inglese non ha voglia po tempo di leggerlo nell'originale ecco ( sintetico purtroppo , ma avevo poca voglia di stare a fare richerche ) lo trova qui sul sito di www.leggo.it
da www.haaretz.com When a black German woman discovered her grandfather was the Nazi villain of 'Schindler's List'An odd series of events led Jennifer Teege to discover that her grandfather was none other than the notorious Nazi Amon Goeth.
In the mid-1990s, near the end of the period during which
she lived in Israel, Jennifer Teege watched Steven Spielberg’s film
“Schindler’s List.” She hadn’t seen the film in a movie theater, and
watched it in her rented room in Tel Aviv when it was broadcast on
television.
“It was a moving experience for me, but I didn’t learn much about the Holocaust from it,” she tells me by phone from her home in Hamburg, mostly in English with a sprinkling of Hebrew. “I’d learned and read a great deal about the Holocaust before that. At the time I thought the film was important mainly because it heightened international awareness of the Holocaust, but I didn’t think I had a personal connection to it.”
Indeed, it was not until years later that Teege, a German-born black woman who was given up for adoption as a child, discovered that one of the central characters in the film, Amon Goeth, was her grandfather. Many viewers recall the figure of Goeth, the brutal commander of the Plaszow concentration camp in Poland – played in the film by Ralph Fiennes – from the scenes in which he shoots Jewish inmates from the porch of his home. But Teege, who had not been in touch with either her biological mother or biological grandmother for years, had no idea about the identity of her grandfather. The discovery came like a bolt from the blue in the summer of 2008, when she was 38 years old, as she relates in the memoir “Amon,” which was published in German in 2013 (co-authored with the German journalist Nikola Sellmair), and is due out in English this April under the title “My Grandfather Would Have Shot Me: A Black Woman Discovers Her Family’s Nazi Past.” Teege is scheduled to visit Israel next week to take part in events marking the book’s publication in Hebrew (from Sifriat Poalim), at the International Book Fair in Jerusalem, the University of Haifa and the Goethe Institute in Tel Aviv. She opens her book by describing the 2008 visit to a library in Hamburg to look for material on coping with depression. While there, she happened to notice a book with a cover photograph of a familiar figure: her biological mother, Monika Hertwig (née Goeth). She immediately withdrew the book, titled “I Have to Love My Father, Right?,” and which was based on an interview with her mother.“The first shock was the sheer discovery of a book about my mother and my family, which had information about me and my identity that had been kept hidden from me,” Teege says. “I knew almost nothing about the life of my biological mother, nor did my adoptive family. I hoped to find answers to questions that had disturbed me and to the depression I had suffered from. The second shock was the information about my grandfather’s deeds.”
Thus Teege embarked on a long personal journey in
the wake of the unknown family heritage. But in the first half year
after the discovery at the library, she relates, “I lapsed into silence,
I slept a lot and I wasn’t really functioning. Only afterward did I
begin to analyze the situation and try to understand the characters of
my mother and my grandmother. I only started to learn more about my
grandmother at the end. Today I understand that I went through the
process step by step, peeling away layer after layer. But in the first
months I had no idea what to do.”
Teege was born on June 29, 1970, in Munich, the
offspring of a brief affair between her mother and a Nigerian man. At
the age of one month, she was placed in a Catholic children’s home, and
when she was three, she was transferred to a foster family, which
adopted her formally when she was seven. That also marked the end of the
loose ties she had had until then with her mother and her grandmother.
The only black girl in the Munich neighborhood
where she grew up, she was often the butt of insulting remarks about her
skin color. In 1990, after graduating from high school, Teege went to
Paris, where she became friends with a young Israeli woman, Noa
Berman-Herzberg, now a screenwriter. Teege arrived in Israel the
following year, toured around worked on a tourist boat in Eilat and had a
brief affair with an Israeli man. After they broke up, she decided to
remain in Tel Aviv. She learned Hebrew, received a B.A. from the Middle
Eastern and African Studies Department of Tel Aviv University, and
worked in the city’s Goethe Institute. She left the country in 1995.
“Germans who come to Israel never know what kind of
reception they will get,” she says. “I was welcomed with open arms. My
German origin generated interest – not because of the Holocaust or
Nazism, but mainly because of [then] recent events, such as the toppling
of the Berlin Wall and the unification of Germany. In any event, I
didn’t represent the German stereotype.”
Her skin color served as camouflage, even if Teege
didn’t yet know for what. Years later, when she discovered her actual
roots, she recalled the many Holocaust survivors she had met at the
Goethe Institute. They came because they wanted to speak and hear
German, the language of their old homeland, she notes in her book. When
she saw the numbers tattooed on their arms in the camps, she felt for
the first time that there was something disadvantageous about belonging
to the German nation – something that demanded an apology.
Teege shared her rented apartment in Tel Aviv with
the actor and director Tzachi Grad, then at the start of his
professional career.
“Jennifer seemed to me special and beautiful, a
woman with European class,” he recalls now. “We got along very well in
the apartment, we became friends and talked about many different
subjects. The fact that it turned out years later that her grandfather
was a sadistic Nazi is no reflection on her, even if some of the genetic
matter and traits came from him. I do not attribute to the Nazis’
descendants the wrongs perpetrated by their forebears.”
Therapist in tears
After leaving Israel, Teege moved to Hamburg and
started to work in an ad agency, where she met her partner, Goetz Teege.
They have two children. When she found out that Amon Goeth was her
grandfather, she entered psychotherapy. The therapist himself burst into
tears when he heard her story at their first meeting, but afterward
helped her cope with the questions that hounded her.
Digging into the past brought her face to face with
many of the atrocities perpetrated by her grandfather, who was known as
the “butcher of Plaszow.” He shot inmates from his porch every morning
and had two dogs that were trained to attack prisoners at his command.
After the war, Goeth faced trial in Krakow on after
being accused of genocide, including responsibility for the death of
8,000 people in Plaszow and the murder of some 2,000 more during the
evacuation of the Krakow Ghetto. He denied responsibility for the
crimes, and said he had only been following orders. He was hanged in
September 1946. His last words were “Heil Hitler.”
Goeth never saw Monika, the daughter he had
fathered a year earlier during an extramarital affair he had with Ruth
Irene Kalder, a young German woman who worked as a secretary in the
Wehrmacht; Goeth's wife had remained behind in Austria.
The couple were introduced by Oskar Schindler – who
needed to have good ties with Goeth so as to obtain Jewish workers for
his factory – at a dinner in Goeth’s villa. Kalder became Goeth’s lover,
moved in, raised two dogs of her own and lived a life of wanton luxury.
His plan to divorce his wife and marry Kalder was dashed when he was
arrested and executed.
Teege, who remembers her grandmother as a central
figure in her early childhood, who showed her more warmth and love than
her mother, also delves into her grandmother’s attitude toward Goeth’s
deeds. For years Kalder denied his crimes and claimed she knew nothing
about them; she and Teege never discussed the subject.
In a conversation in 1975 with the Israeli
journalist and historian Tom Segev (who spoke to her while he was
reporting his 1988 book “Soldiers of Evil”), she said, “It was a
beautiful time. We enjoyed being together. My Goeth was the king, and I
was the queen. Who wouldn’t have traded places with us?”
In 1983, when Teege was 13, her adoptive parents
told her they had seen mourning notices in the paper for her biological
grandmother. They did not know that Ruth Irene Goeth (she had changed
her surname after the war) had committed suicide in the wake of a
serious illness – and also, apparently, because of belated regret for
her moral blindness during the Holocaust.
After learning about Goeth’s deeds and the life her
grandmother led in Krakow during the war, Teege decided to go see the
place where her grandfather had murdered people – to get very close to
him in order to distance herself from him afterward, as she writes in
the book. I ask her whether she succeeded in her mission.
“At the beginning I didn’t know that it was
important to be close to Amon,” she replies. “I felt a powerful need to
be done with this part, and I decided to visit Krakow and the memorial
monument for the Plaszow camp, to place flowers there and honor the
victims, so that I could resume a normal life. When I returned to
Germany after the visit, I felt a certain release. I wanted to let go of
the past but not to make it disappear. I didn’t want to be like my
mother, who felt so tied to the family past and couldn’t disconnect
herself from it. I managed to achieve distance.”
Closing the circle
In her book, Teege describes her quest to learn
about her grandparents, mother and biological father (whom she did not
meet until adulthood). She also talks about the difficulty she had
sharing her life story with her Israeli girlfriends. She remembered that
relatives of two of her friends had perished in the Holocaust, although
she did not know whether they had relatives in the ghettos and camps
where her grandfather had served.
One of Teege’s Israeli friends, Anat Ben Moshe, now
a nurse at Yoseftal Hospital in Eilat, recalls that she and Noa
Berman-Herzberg had stayed in touch with Teege after she left Israel,
and had even attended her wedding, but that suddenly, and over a period
of two years, she stopped responding to their emails.
In 2011, when the Israeli film “The Flood” (for
which Berman-Herzberg wrote the screenplay, together with the director,
Guy Nativ, and which stars the former roommate, Tzachi Grad) was
accepted by the Berlin Film Festival, Teege was invited to the
screening. With some apprehension, she renewed the connection with her
friends, and told Berman-Herzberg the whole story.
Later that year, Teege visited Israel, and she and Ben Moshe met for a long talk.
“I wanted to understand all the details and to know
that she was seeing the picture properly and coping with it. I
supported her when she decided to make the story public,” Ben Moshe
says. Later, she invited Teege to accompany her son’s high-school class
on a visit to the Plaszow camp. Teege accepted the invitation, told the
students her story and replied to their stunned questions.
Her book ends with an account of the extraordinary
ceremony that the teenagers from Israel conducted together with her, in
memory of the victims in the camp of which her grandfather was
commandant.
Teege is very excited about her upcoming visit to
Israel. “I very much wanted the book to be translated into Hebrew, and I
am looking forward to seeing how it’s received,” she says. “People ask
me if I’m not afraid of the visit, but I have no fears. I lived in
Israel for five years, I have friends there and I know the mentality a
little.
“I am first of all Jennifer and not first of all
Amon Goeth’s granddaughter. I am coming as a private person, even though
I know that I am more than that. The survivors who were in contact with
me see me differently. I am so different from the figure of my
grandfather. Some of them, who were in touch with me after the book came
out in German, responded very warmly and said that reading my story was
a kind of closing of the circle for them.”
‘Drop of humanity’
One of the survivors who contacted Teege was Rena
Birnhack, 88, from Haifa, one of the Schindler’s list survivors.She
expects to meet with the younger woman during her visit here next week.
“Goeth was even worse than he is described in
Teege’s book, but it was important for me to contact her, because I am
perhaps the only Jew who was left alive and survived because of her
grandfather,” Birnhack says, in an interview with Haaretz.
She was born in Krakow and sent to the city’s
ghetto with her family as a girl. She relates that she took the family’s
dog with her to the ghetto. The dog gave birth to two puppies, and when
the ghetto was liquidated, in March 1943, and the residents were
summoned for a “selection” process – to decide who would be deported to
Auschwitz and Belzec, and who would do forced labor in the Plaszow camp –
Birnhack had to abandon the older dog but took the two puppies, wrapped
in a small coat.
“It was the first time I saw Amon, a huge,
frightening person,” Birnhack recalls. “In the selection he indicated
with a finger movement who should go to which side. When he saw me
holding the coat, he shouted, ‘What do you have there?’ But when he saw
the two puppies, a drop of humanity came into his eyes for a few
seconds. He asked me what I intended to do with them, and I offered them
to him as a present. He ordered one of the soldiers to take the
puppies, and sent me to the side with those who would remain alive.”
From reading Teege’s book, Birnhack learned that
Goeth gave the puppies to Irene, who raised them in the villa. During
her time in Plaszow, Birnhack saw Goeth only at camp roll-calls – or
when he shot inmates from the porch. She, her sister and her parents
were among the Schindler survivors.
Ma ora bado alle ciancie ecco il mio post 
