Jennifer Teege / Amon Goeth
Jennifer Teege / Amon Goeth

  
Amon Goeth
Amon Goeth.
In the mid-1990s, near the end of the period during which she lived in Israel, Jennifer Teege watched Steven Spielberg’s film “Schindler’s List.” She hadn’t seen the film in a movie theater, and watched it in her rented room in Tel Aviv when it was broadcast on television.   
“It was a moving experience for me, but I didn’t learn much about the Holocaust from it,” she tells me by phone from her home in Hamburg, mostly in English with a sprinkling of Hebrew. “I’d learned and read a great deal about the Holocaust before that. At the time I thought the film was important mainly because it heightened international awareness of the Holocaust, but I didn’t think I had a personal connection to it.”  Indeed, it was not until years later that Teege, a German-born black woman who was given up for adoption as a child, discovered that one of the central characters in the film, Amon Goeth, was her grandfather. Many viewers recall the figure of Goeth, the brutal commander of the Plaszow concentration camp in Poland – played in the film by Ralph Fiennes – from the scenes in which he shoots Jewish inmates from the porch of his home. But Teege, who had not been in touch with either her biological mother or biological grandmother for years, had no idea about the identity of her grandfather.   The discovery came like a bolt from the blue in the summer of 2008, when she was 38 years old, as she relates in the memoir “Amon,” which was published in German in 2013 (co-authored with the German journalist Nikola Sellmair), and is due out in English this April under the title “My Grandfather Would Have Shot Me: A Black Woman Discovers Her Family’s Nazi Past.”    Teege is scheduled to visit Israel next week to take part in events marking the book’s publication in Hebrew (from Sifriat Poalim), at the International Book Fair in Jerusalem, the University of Haifa and the Goethe Institute in Tel Aviv.   She opens her book by describing the 2008 visit to a library in Hamburg to look for material on coping with depression. While there, she happened to notice a book with a cover photograph of a familiar figure: her biological mother, Monika Hertwig (née Goeth). She immediately withdrew the book, titled “I Have to Love My Father, Right?,” and which was based on an interview with her mother.“The first shock was the sheer discovery of a book about my mother and my family, which had information about me and my identity that had been kept hidden from me,” Teege says. “I knew almost nothing about the life of my biological mother, nor did my adoptive family. I hoped to find answers to questions that had disturbed me and to the depression I had suffered from. The second shock was the information about my grandfather’s deeds.” 
           
                            
      
      

Thus Teege embarked on a long personal journey in the wake of the unknown family heritage. But in the first half year after the discovery at the library, she relates, “I lapsed into silence, I slept a lot and I wasn’t really functioning. Only afterward did I begin to analyze the situation and try to understand the characters of my mother and my grandmother. I only started to learn more about my grandmother at the end. Today I understand that I went through the process step by step, peeling away layer after layer. But in the first months I had no idea what to do.”  
Teege was born on June 29, 1970, in Munich, the offspring of a brief affair between her mother and a Nigerian man. At the age of one month, she was placed in a Catholic children’s home, and when she was three, she was transferred to a foster family, which adopted her formally when she was seven. That also marked the end of the loose ties she had had until then with her mother and her grandmother.                                 
The only black girl in the Munich neighborhood where she grew up, she was often the butt of insulting remarks about her skin color. In 1990, after graduating from high school, Teege went to Paris, where she became friends with a young Israeli woman, Noa Berman-Herzberg, now a screenwriter. Teege arrived in Israel the following year, toured around worked on a tourist boat in Eilat and had a brief affair with an Israeli man. After they broke up, she decided to remain in Tel Aviv. She learned Hebrew, received a B.A. from the Middle Eastern and African Studies Department of Tel Aviv University, and worked in the city’s Goethe Institute. She left the country in 1995.    
“Germans who come to Israel never know what kind of reception they will get,” she says. “I was welcomed with open arms. My German origin generated interest – not because of the Holocaust or Nazism, but mainly because of [then] recent events, such as the toppling of the Berlin Wall and the unification of Germany. In any event, I didn’t represent the German stereotype.”
Her skin color served as camouflage, even if Teege didn’t yet know for what. Years later, when she discovered her actual roots, she recalled the many Holocaust survivors she had met at the Goethe Institute. They came because they wanted to speak and hear German, the language of their old homeland, she notes in her book. When she saw the numbers tattooed on their arms in the camps, she felt for the first time that there was something disadvantageous about belonging to the German nation – something that demanded an apology.
Teege shared her rented apartment in Tel Aviv with the actor and director Tzachi Grad, then at the start of his professional career.
“Jennifer seemed to me special and beautiful, a woman with European class,” he recalls now. “We got along very well in the apartment, we became friends and talked about many different subjects. The fact that it turned out years later that her grandfather was a sadistic Nazi is no reflection on her, even if some of the genetic matter and traits came from him. I do not attribute to the Nazis’ descendants the wrongs perpetrated by their forebears.”
Therapist in tears
After leaving Israel, Teege moved to Hamburg and started to work in an ad agency, where she met her partner, Goetz Teege. They have two children. When she found out that Amon Goeth was her grandfather, she entered psychotherapy. The therapist himself burst into tears when he heard her story at their first meeting, but afterward helped her cope with the questions that hounded her.
Digging into the past brought her face to face with many of the atrocities perpetrated by her grandfather, who was known as the “butcher of Plaszow.” He shot inmates from his porch every morning and had two dogs that were trained to attack prisoners at his command.
After the war, Goeth faced trial in Krakow on after being accused of genocide, including responsibility for the death of 8,000 people in Plaszow and the murder of some 2,000 more during the evacuation of the Krakow Ghetto. He denied responsibility for the crimes, and said he had only been following orders. He was hanged in September 1946. His last words were “Heil Hitler.”
Goeth never saw Monika, the daughter he had fathered a year earlier during an extramarital affair he had with Ruth Irene Kalder, a young German woman who worked as a secretary in the Wehrmacht; Goeth's wife had remained behind in Austria.
The couple were introduced by Oskar Schindler – who needed to have good ties with Goeth so as to obtain Jewish workers for his factory – at a dinner in Goeth’s villa. Kalder became Goeth’s lover, moved in, raised two dogs of her own and lived a life of wanton luxury. His plan to divorce his wife and marry Kalder was dashed when he was arrested and executed.
Teege, who remembers her grandmother as a central figure in her early childhood, who showed her more warmth and love than her mother, also delves into her grandmother’s attitude toward Goeth’s deeds. For years Kalder denied his crimes and claimed she knew nothing about them; she and Teege never discussed the subject.
In a conversation in 1975 with the Israeli journalist and historian Tom Segev (who spoke to her while he was reporting his 1988 book “Soldiers of Evil”), she said, “It was a beautiful time. We enjoyed being together. My Goeth was the king, and I was the queen. Who wouldn’t have traded places with us?”
In 1983, when Teege was 13, her adoptive parents told her they had seen mourning notices in the paper for her biological grandmother. They did not know that Ruth Irene Goeth (she had changed her surname after the war) had committed suicide in the wake of a serious illness – and also, apparently, because of belated regret for her moral blindness during the Holocaust.
After learning about Goeth’s deeds and the life her grandmother led in Krakow during the war, Teege decided to go see the place where her grandfather had murdered people – to get very close to him in order to distance herself from him afterward, as she writes in the book. I ask her whether she succeeded in her mission.
“At the beginning I didn’t know that it was important to be close to Amon,” she replies. “I felt a powerful need to be done with this part, and I decided to visit Krakow and the memorial monument for the Plaszow camp, to place flowers there and honor the victims, so that I could resume a normal life. When I returned to Germany after the visit, I felt a certain release. I wanted to let go of the past but not to make it disappear. I didn’t want to be like my mother, who felt so tied to the family past and couldn’t disconnect herself from it. I managed to achieve distance.”
Closing the circle
In her book, Teege describes her quest to learn about her grandparents, mother and biological father (whom she did not meet until adulthood). She also talks about the difficulty she had sharing her life story with her Israeli girlfriends. She remembered that relatives of two of her friends had perished in the Holocaust, although she did not know whether they had relatives in the ghettos and camps where her grandfather had served.
One of Teege’s Israeli friends, Anat Ben Moshe, now a nurse at Yoseftal Hospital in Eilat, recalls that she and Noa Berman-Herzberg had stayed in touch with Teege after she left Israel, and had even attended her wedding, but that suddenly, and over a period of two years, she stopped responding to their emails.
In 2011, when the Israeli film “The Flood” (for which Berman-Herzberg wrote the screenplay, together with the director, Guy Nativ, and which stars the former roommate, Tzachi Grad) was accepted by the Berlin Film Festival, Teege was invited to the screening. With some apprehension, she renewed the connection with her friends, and told Berman-Herzberg the whole story.
Later that year, Teege visited Israel, and she and Ben Moshe met for a long talk.
“I wanted to understand all the details and to know that she was seeing the picture properly and coping with it. I supported her when she decided to make the story public,” Ben Moshe says. Later, she invited Teege to accompany her son’s high-school class on a visit to the Plaszow camp. Teege accepted the invitation, told the students her story and replied to their stunned questions.
Her book ends with an account of the extraordinary ceremony that the teenagers from Israel conducted together with her, in memory of the victims in the camp of which her grandfather was commandant.
Teege is very excited about her upcoming visit to Israel. “I very much wanted the book to be translated into Hebrew, and I am looking forward to seeing how it’s received,” she says. “People ask me if I’m not afraid of the visit, but I have no fears. I lived in Israel for five years, I have friends there and I know the mentality a little.
“I am first of all Jennifer and not first of all Amon Goeth’s granddaughter. I am coming as a private person, even though I know that I am more than that. The survivors who were in contact with me see me differently. I am so different from the figure of my grandfather. Some of them, who were in touch with me after the book came out in German, responded very warmly and said that reading my story was a kind of closing of the circle for them.”
‘Drop of humanity’
One of the survivors who contacted Teege was Rena Birnhack, 88, from Haifa, one of the Schindler’s list survivors.She expects to meet with the younger woman during her visit here next week.
“Goeth was even worse than he is described in Teege’s book, but it was important for me to contact her, because I am perhaps the only Jew who was left alive and survived because of her grandfather,” Birnhack says, in an interview with Haaretz.
She was born in Krakow and sent to the city’s ghetto with her family as a girl. She relates that she took the family’s dog with her to the ghetto. The dog gave birth to two puppies, and when the ghetto was liquidated, in March 1943, and the residents were summoned for a “selection” process – to decide who would be deported to Auschwitz and Belzec, and who would do forced labor in the Plaszow camp – Birnhack had to abandon the older dog but took the two puppies, wrapped in a small coat.
“It was the first time I saw Amon, a huge, frightening person,” Birnhack recalls. “In the selection he indicated with a finger movement who should go to which side. When he saw me holding the coat, he shouted, ‘What do you have there?’ But when he saw the two puppies, a drop of humanity came into his eyes for a few seconds. He asked me what I intended to do with them, and I offered them to him as a present. He ordered one of the soldiers to take the puppies, and sent me to the side with those who would remain alive.”
From reading Teege’s book, Birnhack learned that Goeth gave the puppies to Irene, who raised them in the villa. During her time in Plaszow, Birnhack saw Goeth only at camp roll-calls – or when he shot inmates from the porch. She, her sister and her parents were among the Schindler survivors.